With the weather promised settled until well into next week there’s no excuse not to get out there and visit some of the Great Irish Art on show. Kicking off with The People’s Art on Stephen’s Green www.peoplesart.eu this Friday/Saturday & Sunday; Merrion Square Art www.merrionart.com on Sunday, and the Dublin Painting & Sketching Club Annual Exhibition runs at the Dun Laoghaire/Rathdown County Hall in Dun Laoghaire from the 8th-21st May.
For those of you who prefer to view your art from the couch, there’s always my new site which is growing in leaps and bounds. I have been so busy adding to it that I’ve completely lost track of how many artists are now listed. The scarcity of information on each artist is gradually being rectified – it’s purely a matter of getting time to collate the hundreds of pages of research that I’ve already accumulated while continuing to gather more information. With some living artists it’s like pulling teeth. Check out the latest additions below.
Full results here: Irish & International Art Sale Results
The Irish Times are back full steam with ‘Art Porn’ and their Art & Antiques correspondent, Michael Parsons, was gushing in his praise of the two deceased Irish artists in his piece on RTE radio this morning. What’s brought on this latest media frenzy is the forthcoming sale on St.Patrick’s Day by Christies (London) of two paintings by ‘self-taught’ artist Tony O’Malley. It’s not the two nondescript paintings by O’Malley that have excited the media but the fact that they are painted on two halves of an unfinished canvas by Francis Bacon.
O’Malley’s paintings ‘Currach, Clare Island’ and ‘Evening Landscape, Tehidy Hospital’ are fairly standard daubs and carry a paltry estimate of £20,000 – £30,000, but put together and reversed and they become the Francis Bacon work which could sell for huge multiples of that figure. Another example of ‘art’ as an investment, and a triumph of hype over substance. Bacon’s awful, uncompleted sketch looks like a pregnant Charlie Haughey crossed with Oswald Chesterfield Cobblepot aka super villain ‘The Penguin’, and not something that I would want about the place at any price! That said, it will probably sell for millions. Here’s the link to the auction in case any of you feel like sticking in a bid.
Judging from most of the offerings contained in Adams forthcoming sale http://www.adams.ie/The-Irish-Bank-Resolution-Corporation-Ltd-In-special-Liquidation-Art-Collection/03-09-2013?gridtype=listview from The Irish Bank Resolution Corporation, the bankers were as poor investors in Art as they were in running the banks. Amongst the works on offer there are pages of low grade abstract art prints (!) by Sean Scully, and mixed media by Felim Egan – both once very much in vogue with the intelligentsia of Corporate Ireland. In fairness, to Adams, they can only sell what’s before them but there’s mighty little worthy of wall space in the sale and I will await the results with interest. The six wonderful Pauline Bewick paintings stand out like beacons amongst the dross; there’s some value – and art – amongst the cheaper lots by lesser known artists. Paintings that you would enjoy looking at and showing off to your friends.
Above one of the finest paintings in the sale and below some overpriced office boardroom/hotel lobby fodder.
The ever popular “People’s Art” http://www.peoplesart.ie/ returns to St.Stephen’s Green this weekend. An open air gallery of artworks will festoon the railings on three sides of St.Stephen’s Green. It’s free entertainment, you get to meet the actual artists and who knows you may even pick-up a treasure. There’s nothing like buying directly from the source, be it a painting, a book or whatever, it’s something you’ll always treasure and the monetary value doesn’t come into it!
My thanks to artist Aoife Joyce for permission to use her photograph (below) and her own website http://www.aoifejoyce.com/ is well worth checking out too!
One of the largest group shows in the country, the exhibition includes 74 artists exhibiting 267 pieces in oil, watercolour, pastel, mixed media and etchings. Just some of the high profile artists included are Pauline Doyle, James English RHA, Michael Gemmell, Padraig Lynch, Thomas Ryan PPRHA and Ivan Sutton. The exhibition is sponsored by Whyte’s Auctioneers of Molesworth Street.
Full details here: http://www.dublinpaintingandsketchingclub.ie
The ever popular Peoples Art http://www.peoplesart.ie/ open-air gallery returns to the railings of St.Stephen’s Green this weekend from Friday 24th to Sunday 26th June inclusive. A chance for the public to meet artists face to face, chat about their work and purchase direct thus cutting out the gallery fees. Things usually kick off from about 11:00am. I don’t know about bargains but there’s something really nice about buying directly from the artist – you’ll always remember where and when you bought the painting!
I have been meaning to give “Abandoned Mansions of Ireland” by Tarquin Blake a mention for a while and the exhibition now on at Castletown House, Co.Kildare, provides the ideal excuse. Tarquin began exploring old castles, Big Houses, mills etc. back in June 2008. His admirable philosophy is quite simple – record it and document it before it’s gone – Touch Nothing. Take Nothing. Leave Only Footsteps. When he started out he had no idea what it would lead to and certainly a book was not the original intention. As his odyssey gathered momentum he was amazed by the amount and variety of abandoned buildings that he discovered around the country, and first came his excellent website here: http://www.abandonedireland.com/ followed by his book which was published in 2010 and has already been reprinted. A high quality coffee table book of the highest order, and one which no lover of old architecture and Irish history will want to be without.
Publisher’s information: In 2008 Tarquin Blake found his first abandoned ‘Big House’ and so began exploring the lost architecture of Ireland. Here, he documents what is left of fifty mansion houses with brief histories and beautiful photographs of the haunting ruins. Included are Mountpelier Lodge (Dublin Hellfire Club), the birthplaces of Daniel O’Connell and the Duke of Wellington, and the one-time homes of Grace O’Malley and of brewing family the Smithwicks of Kilkenny. The inclusion of details from the 1911 Census offers a glimpse of the closing days of the aristocracy and their mansions.
Tarquin’s book documents fifty of Ireland’s decaying ‘big houses’ but there are many more on his website. Readers should note that Tarquin’s book and website are information guides and do not act as invitations to enter any of the properties or sites listed. Most of the properties listed are in private hands and permission would be required from the owner before visiting. Ruins are hazardous. No responsibility is accepted by the author or publisher for any loss, injury or inconvenience sustained by anyone as a result of using this book.
Hardback €27.99 but may be cheaper ordered direct from the publishers website here: http://www.collinspress.ie/
*Thanks to Lucy for drawing my attention to the fact that Castletown House is NOT open on Mondays see full details here: http://www.castletownhouse.ie/VisitorInformation/
Percy French – A Retrospective
At: The Oriel Gallery, 17 Clare Street, Dublin 2
Tel/Fax: (01) 676 3410
A retrospective exhibition of nostalgia celebrating the life and work of Percy French (1854-1920). The largest collection of Percy French watercolours ever exhibited will be open to the public from Friday 1st April and will continue until Sunday 1st May 2011. A select number of works will also be available for sale.
Mon – Friday 10:00am to 5.30pm
Saturday 11:00 – 4:00pm
An exhibition not to miss! While many outside the Art collecting world will only know of Percy French for his humourous song writing, his reputation as a watercolourist is gaining in stature with every passing year. His paintings continue to turn up at auction quite often with prices still in the affordable bracket and their value is sure to appreciate – unlike bank shares! “The Grand Canal“ (above) was painted in 1896 but sadly is only on loan to the exhibition.